This seems simple enough. Obvious perhaps, but as a reminder as to why looking, observing, and reflecting is important, I am putting this here. Whether you are a fan of writer John Berger or not, I also think that it is important to highlight that he was living/working during a…

I have been experimenting with a new photography series — selecting old and new images that profile cloth in partnership with a specific locale or environmental setting. These ‘cloth states’ are records of a place but also serve to document the intimate aspects of how we live with cloth and…

After several years of living along the shores of a lake, my home studio has transitioned to the edges of farm fields in New York State’s Hudson Valley.

At the conclusion of my four years living along the shore of Connecticut’s deepest natural lake, Lake Wononscopomuc, it is striking how accustomed I have become to the proximity of a body of water and the atmospheric states that are perpetually unfolding.

I am excited to announce that Earthkeepers Handbook: Heal the Man, Heal the Land will be available in print as of June 2023. …

Lost in Fiber Library | Notes “Books have their own special quality. They thrill you to the marrow, they talk to you, counsel you, admit you to their living, speaking friendship. And they introduce you to other books, their friends.” Francesco Petrarca (Petrarch) Italian poet, from a letter written between 1345–1347 [ quote from a gallery room wall at Williams Art Museum, Spring 2023 ]

This project has been a long time in the making, row after row after row. A someone who grew up on a farm, worked on a farm, moved away from a farm, and then witnessed a farm become dismantled, the plots that remain are salvaged parcels to preserve and gradually…

2023 is wide open, although already densely populated with upcoming studio projects and travel. The above diagram/image, from The ecological relations of roots archives, is one that I have had stashed away for so long. It feels fitting to have it resurface now, after so much practical groundwork and research for the emerging terrain ahead. My updated website outlines the new directions and offshoots underway, and process images, research, and the environs of my studio are always viewable here.

In 2008, I was an essay contributor to The LAND/an art site’s retrospective catalogue. …