Lost in Fiber | editions profile 01

Cardamom Collective x Kakaw Designs artisan made, naturally-dyed pom poms from Guatemala photographed by Abigail Doan studio (Lost in Fiber | editions) on a book of Bulgarian embroidery patterns

It has been more than a year, or perhaps years now, since I adopted the ‘Lost in Fiber’ moniker. As many art and design friends know, I hesitate to call myself a fiber artist or textile artist at this juncture, as I am not focused on the mastery of any specific technique within the realms of these practices.

The ‘getting lost’ aspect of exploring fiber’s materiality is what lured me in initially as well as its potential as a cultural connector and crafting matrix for modern artifacts and handmade objects. A sustained interest in highlighting the authenticity and regional specificity of fiber is what continually keeps me engaged in ways that also reflect my environmental concerns/research.

It is in this spirit that I share a medley of materials recently featured as part of an art/design showcase with Sienna Road in lower Manhattan.

from left to right: Cardamom Collective x Kakaw Designs artisan made pom poms, Abigail Doan studio shepherd bells with cord and horsehair, and Nuraxi chaguar fiber flower garland

The pom-pom strand (above, on left) was handcrafted for Cardamom Collective and Kakaw Designs by a uniquely talented artisan couple in Antigua, Guatemala. This design is based on a headdress wrap worn by women from the village of Chajul, (in the Ixil triangle near Nebaj). Mari of Kakaw Designs has sustained an ongoing relationship with local artisans in Guatemala and respectfully interfaces with the communities and regional riches of her childhood. Cardamom Collective in the U.S. has thoughtfully cultivated these designs as a way for local dyers and weavers to create new work as a platform for valued traditions to be passed on by regional artisans.

I was drawn to collecting this textile work as it not only is an opportunity for artisans to continue with heritage traditions in rural regions, but as research for our small family foundation — (these naturally-dyed pom-poms reminded me of the woolen braids and floral headdress of traditional Bulgarian brides.)

Commissioned work like this not only creates new opportunities for livelihood and cultural preservation but also furthers the dialogue of ‘lost’ materials and methods being upheld as timeless artifacts.

More soon regarding the spirit and symbolism of nomadic shepherd bells in my own studio practice as well as chaguar fiber designs from Nuraxi studio and the Wichí women of the El Portillo community in Argentina.

Feel free to follow the featured designers/studios via Instagram:

Cardamom Collective

Kakaw Designs


Sienna Road

Abigail Doan studio + Lost in Fiber|editions




projects and writing exploring the intersections of site-specific, landscape phenomena and art lab/design methodologies.

Love podcasts or audiobooks? Learn on the go with our new app.

Recommended from Medium

Sketchy: January 24–30


Mona Hatoum: The First Contemporary Arab Artist?

Sports Court Painting in Newry and Mourne #Sports #Surface #Painting #Newry #and #Mourne https://t.c

Modern Day Basquiats

August Vilella. Transformation of mental vibrations

It is a wonderful chorus of children’s screams.

Get the Medium app

A button that says 'Download on the App Store', and if clicked it will lead you to the iOS App store
A button that says 'Get it on, Google Play', and if clicked it will lead you to the Google Play store
Abigail Doan | Studio

Abigail Doan | Studio

projects and writing exploring the intersections of site-specific, landscape phenomena and art lab/design methodologies.

More from Medium

Coffee Talk: A Review

Essential Pinterest Boards for Fashion Design

How to find your style for archviz?

Latest Graphic Design Tools For Beginners with their Key Features